After introductory remarks, the symposium will open with a talk from artist and trained architect Amanda Williams. Tying the event’s location into its programming was also key for the event’s organizers. The name of the symposium comes directly from the first issue’s theme, “Designing for Dignity,” while the themes of the following three journals (“Pedagogy for a New World,” “Envisioning Equity” and “A Sense of Place”) also closely mirror the event’s programming, which includes discussions of place-making, equitable community design and online worlds, featuring key design practitioners such as architect Germane Barnes, designer and educator Ramon Tejada, and art director and designer Annika Hansteen-Izora. We’re always trying to find ways to recontextualize what design is and how design can show up, and we definitely felt that having experiences would be core to our offerings.”įor Deem, the event will be a realization of the ideas that have populated its pages over the past several years. “That design isn’t just theory design isn’t an object-design is an experience and it’s shared. “We believe that design is a shared experience,” says Goteh. Now, two years later (and with four issues completed so far), Deem is finally taking its concepts in person with the debut of Designing for Dignity: A Convening of Possibilities, a symposium held at the Museum of Contemporary Art Chicago on March 4. “Part of the documenting that we thought was important was to be able to leave a physical artifact-something that can’t be erased online, something that can live on beyond that,” says Goteh, Deem’s creative director.īeyond that, the group wanted to create a place for those ideas to circulate in person-a hope that was initially dashed by the pandemic. It was also important that the journal existed not only online, but in a print iteration, in order to document the progress of people who have traditionally been marginalized in the design canon, particularly BIPOC contributors. In large part, that meant prioritizing overlooked voices and taking a perspective that was inclusive, transdisciplinary and intergenerational-a mission that has been executed in each issue since, with subjects ranging from the design of housing cooperatives in Uruguay to the Black Reconstruction Collective’s view on the architecture of equity. Chief among them was to establish a platform to explore design, in all its forms, as a social practice geared toward serving community needs. In addition to its brand-new DeepPRIME XD denoising technology, this major new version introduces advanced color management featuring a vast working color space, powerful new retouching tools, and refinements to its elegant library system.ĭxO ViewPoint 4, the software that fixes geometry and perspective, introduces the powerful new ReShape tool to help perfect any shotĭxO ViewPoint 4, the software that gives photographers ultimate control over perspective, geometry, and image quality, gains a host of new tools and updates, including the innovative ReShape tool for local adjustments, improved cropping and rotation, new guides for perfect alignment, an easier-to-use interface, and full Apple Silicon support.When design strategist Nu Goteh, editor Alice Grandoit-Šutka and documentary filmmaker Marquise Stillwell co-founded Deem in the spring of 2020, they had a list of goals for their design publication. You can check out all details at the dedicated pages:ĭxO PhotoLab 6, the RAW photo editing software, redefines industry standards for denoising with ground-breaking AI technology - again DxO has released DxO PhotoLab 6 and DxO Viewpoint 4.
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